【演出者異動公告】
2019年12月28日、12月31日「NSO歲末音樂會《風流寡婦》」卡米爾伯爵一角將由男高音林義偉擔任演出。

逸樂無失品味，逍遙卻不放肆，《風流寡婦》從奧匈帝國遙望法國首府，以維也納觀點向巴黎致敬，成功兼具兩者最高尚精緻的文化氛圍，是此二城絢爛過往的絕美紀錄。「為富有寡婦尋找如意郎君，防止鉅款流向國外導致小國經濟危機」，歡樂主軸雖然嬉鬧有趣，卻也融入時事而更添辛辣。雷哈爾思緒翩翔飛轉，悠揚旋律縱橫全劇，宴會場景推陳出新，更寫出繁複多變的高超管絃技法，讓舞曲成為塵世傳奇與人間神話。不只悅耳，此劇令人酣醉的和聲色調也是「世紀末」風潮的產物—這是喝著香檳的華格納，隱身快意氛圍的馬勒與理查・史特勞斯，讓你看熱鬧也可聽門道。德語演唱、中文對白，就讓國內頂尖聲樂名家與NSO 和你一起過新年，在歲末預約一晚歡樂！

【來自國際推薦】

「豐潤的音色。」
─《舊金山古典之聲》2018

「他們的蕭斯塔科維契第五號交響曲十分扣人心弦：隨著樂團飛舞的弓弦與宏偉的雄心，他們的演出令人徹底信服。不需西方世界的背書，這個樂團在音樂舞台絕對佔有一席之地。」
─奧地利《信使報》2017

演出人員:
指揮｜張尹芳
導演｜尚米歇爾‧克奇
影像設計｜王奕盛
燈光設計｜郭建豪
服裝設計｜高育伯
聲樂指導｜王佩瑤

漢娜｜林慈音
達尼羅伯爵｜葉展毓
卡米爾伯爵｜林義偉
傑達男爵｜趙方豪
法蘭琪娜｜黃莉錦
卡斯卡達｜陳集安
聖布里奧許｜張殷齊
涅谷許｜許逸聖
合唱指導｜古育仲
台北愛樂合唱團

演前導聆:
主講人　焦元溥
12/28(六) 19:00（18:50由國家音樂廳售票口開放入場）
國家音樂廳一樓大廳

【其他巡迴場次】
2019/12/31 臺中國家歌劇院

指揮 張尹芳
NSO國家交響樂團駐團指揮。在臺灣接受完整音樂教育，畢業於國立臺北藝術大學，曾師事徐頌仁、陳秋盛。2006 至2015 年擔任國家交響樂團助理指揮，期間參與策劃、指揮「NSO永遠的童話」年度製作及推廣音樂會，結合舞蹈、偶戲、繪本、傑出畫家與動畫，對於古典音樂教育及推廣不遺餘力。並擅於各種跨界合作，曾分別與張艾嘉、王耀慶合作，製作演出結合戲劇與音樂之節目，如《仲夏夜之夢》、《皮爾金》；並與金曲流行樂團蘇打綠同台，以及與國際古典樂壇的知名組合「音樂駭客Igudesman & Joo」多次合作，均深受好評。 此外，張尹芳亦積極參與當代華人音樂家作品發表，曾指揮NSO錄製臺灣原住民傳統歌謠創編交響樂曲專輯《山海琴原》，以及受臺北立市國樂團之邀，指揮《反景入深林─向周文中致敬》音樂會並錄音發行。2018年再受邀指揮亞太音樂節開幕音樂會，首演多位作曲家之作品。近年來曾受邀包括與日本金澤管絃樂團、香港城市室内樂團、臺北市立國樂團、國立臺灣交響樂團合作，並受邀演出總統府音樂會、臺南國際藝術節及日本金澤音樂祭。除音樂會演出外，並兼任於國立臺北藝術大學、輔仁大學音樂系。“

導演 尚米歇爾‧克奇
擔任舞監長達二十五年，於巴黎夏特雷劇院任職過三個樂季，後轉為自由工作者。曾在彭內爾等多位大師身旁學習。執導作品含葛路克《伊菲姬妮在杜爾德》、奧芬巴哈《天堂與地獄》、玻瓦莫提耶《公爵夫人家的唐吉訶德》，在香榭麗舍劇院演出《採訪莫札特》、十場巴黎夏特雷劇院JF. 紀傑爾的《謎》音樂會、羅西尼《婚姻的契約》和《布魯斯基諾先生》。與臺北國家戲劇院合作七年間，執導拉威爾《小孩與魔法》、雷史畢基《睡美人》等，後者於2015 年再製，在臺灣巡迴，並邀請泰雅族兒童合唱團演出。近期製作含《藍鬍子的城堡》、《伊菲姬妮在陶里德》、《唐卡羅》、《茶花女》、《羅恩格林》、《吟遊詩人》。

Yin-Fang Chang,conductor
Yin-Fang Chang is Resident Conductor of the Taiwan Philharmonic ( National Symphony Orchestra ). She completed her musical education in Taiwan and served as Assistant Conductor from 2006 to 2015. During this period, Chang conducted well-received educational concerts and 'NSO Forever Tales' annually, co-producing new programs with puppet theatre, children's book illustrators, and animators. She is passionate about the transformative power of music in society and education. In addition, she has collaborated with film directors, television actors and indie bands, producing strikingly progressive crossover work. Her collaborations with Igudesman & Joo in particular are highly acclaimed. Chang is also an astute interpreter of Asian contemporary scores. She conducted ‘Tribute to Wen-Chung Chou’, featuring seven contemporary works, with Taipei Chinese Orchestra in a world premiere in 2013, and was nominated for the Taishin Arts Award. In 2017, she recorded new orchestral pieces of Taiwanese indigenous song, drawing on themes of tradition and identity and articulating them in innovative ways for contemporary audiences, underlining the value of both tradition and innovation. In 2018, she was invited to conduct the opening concert of the Asian Composers League Conference and Festival with many new compositions. She debuted in Hong Kong and Japan, working with City Chamber Orchestra and Orchestra Ensemble Kanazawa in 2018 and 2019 respectively. In addition to her conducting career, Chang teaches conducting and score reading at Fu-Jen Catholic University and Taipei National University of the Arts.

Jean-Michel Criqui, director
Stage Manager for 25 years, 3 seasons at the Théâtre du Châtelet - Paris and freelance, he worked and learned alongside JP. Ponnelle, G. Stehler, A. Feyer, P. Stein, PL. Pizzi, L.Pasqual, B. Wilson, P. Audi, D. Mc Vicar, D. Mesguish, N. Lowery, P. Strosser, A. Engel, I. Brook, M. Martone. He staged Iphigénie en Tauride (CF. Glück), Un mari à la porte (J.Offenbach), Don Quichotte chez la Duchesse (J. Bodin de Boismortier), Mozart's Interview at the Théâtre des Champs Elysées, 10 Enigma concerts by JF Zygel at the Châtelet - Paris, La Cambiale di Matrimonio and Signor Bruschino ... And he has been working for 7 years with the National Theater in Taipei, for whom he directed L’enfant et les Sortilèges, Highlight of Operas and La Bella Dormente nel Bosco of Respighi, a production that was re-released in 2015 for a large tour of Taiwan, attended by a choir of Attayals’ children. Recently, Bluebeard's Castle - Human Voice and Iphigénie with K. Warlikowski (Paris Opera) and Don Carlo with R. Carsen, Traviata and Lohengrin with L. Desire, Trovatore with F. Negrin.

10/25~10/31 兩廳院之友預購8折

11/1 正式啟售後優惠
◆NSO之友9折
◆兩廳院之友9折
◆廳院青75折
◆軍警及榮民票9折
◆學生票8折
◆敬老票5折
◆身障人士及其必要陪同者(限1人)5折
◆團體票(限全票)購滿總數量20張以上每筆訂單打85折
◆團體票(限全票)購滿總數量50張以上每筆訂單打8折
◆團體票(限全票)購滿總數量100張以上每筆訂單打75折
◆團體票(限全票)購滿總數量300張以上每筆訂單打7折
◆團體票(限全票)購滿總數量500張以上每筆訂單打65折

※訂購學生、軍警榮民、長者及身心障礙人士票券者，入場時請務必攜帶有效證件。

購票方式：

1.網路（限信用卡）
2.售票點（現金、信用卡）
3.超商（限現金）萊爾富、7-11、全家

網路購票說明：

1.請先加入會員
2.取票方式（售票點取票、手機取電子票[僅部分場館開放使用]、國內郵寄[另收50元郵資]、超商取票[每張票券另收8元手續費]）。
訂購完成即可取票，敬請提早領取。

【Notice of Artist Change】
Program Update:
In the Opera Concert《Die lustige Witwe》on Dec 28th and Dec. 31st, 2019, the role of Camille de Rosillon will be sung by Yi-Wei Lin.

Performers will change as below:
Yin-Fang Chang, conductor
Jean-Michel Criqui, director
Ethan Wang, visual design
Chien-Hao Kuo, lighting design
Yu-Po Kao, costume design
Pei-Yao Wang, vocal coach

Grace Lin, Hanna Glawari
Chan-Yu Yeh, Danilo Danilowitsch
Yi-Wei Lin, Camille de Rosillon
Fang-Hao Chao, Baron Mirko Zeta
Li-Chin Huang, Valencienne
Chi-An Chen, Vicomte Cascada
Yin-Chi Chang, Raoul de St Brioche
Yi-Sheng Hsu, Njegus
Yu-Chung John Ku, chorus master
Taipei Philharmonic Chorus

Franz Lehár: Die lustige Witwe

Hedonistic but not vulgar, carefree but not wanton, Die lustige Witwe, bred in the soil of Austria-Hungary, is set in and pays tribute to Paris from Vienna. It successfully connects two elegant and sophisticated cultural ambiances and records the unforgettable histories of these two cities. In brief, the story is about one small country’s embassy in Paris working hard to find a compatriot husband for their country’s richest widow in order to prevent her estate from being transacted overseas. Although the main theme is light-hearted, hints of sardonicism loom inside, particularly with the interspersed tabloid fodders. With Lehár’s creativity, the operetta is imbued with suave tunes. More sensational notes built on intricate orchestration appear in the banquet scene that has immortalized this piece of dance music. In addition to its appealing tunes, the kaleidoscopic harmony manifests the aesthetics of the Fin de Siècle. It’s Wagner sipping champagne and hedonistic Mahler and Richard Strauss, an operetta to entertain you and for you to appreciate. Sung in German and narrated in Mandarin, Die lustige Witwe will merrily usher in the new year at the NSO with its topmost vocal soloists.