明華園戲劇家族聯手呈獻連台本戲
2018巨人系列－明華園戲劇總團《龍抬頭》《龍逆鱗》王子復仇記 全本
明華園首席編導陳勝國重新編排經典大作「王子復仇記」，不但重現歌仔戲輝煌時期的內台連本戲演出形式，更首度於歌劇院連演兩天，《龍抬頭》及《龍逆鱗》上下兩集全本呈現。無敵小生孫翠鳳、第一丑角陳勝在、當家小旦鄭雅升，明華園資深演員帶領陳子豪、陳昭婷、晨翎、李郁真、陳昭賢等新生代演員同台飆演，重構王子復仇大計，王子復仇風雲再起，精采好戲，不容錯過！
10/20 (六) 14:30上本《龍抬頭》The Dragon Rises
一場大雨 二位王子 三代糾葛
皇帝大修皇陵「祿蓋峪」，因雨影響工程，尋求隱士諫言後，下令遣散宮女三百名。宮女秋月盈因與太子趙頊珠胎暗結，遭太子妃藉機將其列入出宮行列。大雨依舊，水漏皇陵，皇孫趙漏因名中「漏」字，被迷信風水之說的皇帝削去皇籍、逐出宮外；而秋月盈出宮後，在民間產下皇孫秋宮還。兩位流落民間的皇室血脈，不同性格的他們正一步步走向不同的人生道路。
10/21 (日) 14:30下本《龍逆鱗》The End of Revenge
天地之間 仇何來? 恨何來?
兩位流落民間的皇子秋宮還、趙漏，陰錯陽差先後返回宮廷。回宮後的秋宮還赫然發現「貞妃」竟是親密愛人問清風。霎時間，母親秋月盈備受屈辱的怨、自己被父親趙頊遺棄之恨、奪妻之仇一湧而上，新仇舊恨交織下，漸握大權的秋宮還矢志加倍奉還，進行復仇。在其擅自廢后花語儂，迫使王子趙漏前往契丹和親，兩名皇子的新仇舊恨橫越時空排山倒海而來！
明華園戲劇總團
創立於1929年，歷經歌仔戲發展的興衰浮沈，以親切活潑的表演方式，狂野亮麗的舞台色彩，活潑奔放的演出形態，呼應時代脈動的戲劇內涵，讓來自草根的歌仔戲，從外台登上國家藝術殿堂，成功使瀕臨沒落的歌仔戲藝術，化身現今最有群眾魅力的文化創意產業。以打造「東方音樂劇」為目標的明華園，讓臺灣歌仔戲向世界發聲，足跡遍及全球五大洲，驚豔國際舞台。
| 演出製作團隊 |
藝術總監暨製作人／陳勝福
編劇暨總導演／陳勝國
身段暨武戲導演／彭俊綱、戴立吾
身段指導／溫宇航
音樂設計／陳孟亮
舞台監督／王耀崇
舞台設計／黃建達
燈光設計／劉權富
影像設計／王奕盛
服裝設計／蔡毓芬、北京寶榮衣影視文化傳播有限公司
購票方式：
1.網路（限信用卡）
2.售票點（現金、信用卡）
3.超商（限現金）萊爾富、7-11、全家
網路購票說明：
1.請先加入會員
2.取票方式（售票點取票、手機取電子票[僅部分場館開放使用]、國內郵寄[另收50元郵資]、超商取票[每張票券另收8元手續費]）。
訂購完成即可取票，敬請提早領取。
8/1(三)-8/7(二) 歌劇院會員預購
8/8(三) 全面啟售
【巨人節目套票優惠】
●單次購買6檔節目各1張享75折
●單場購買4張享75折
※套票恕不得單張退、換票。
※許亞芬歌子戲劇坊《謎魂奇案》之500元票級僅提供身障票與敬老票，不適用於套票及其他折扣優惠。
※「前100組購買巨人套票觀眾可獲得【ESCENTS 伊聖詩】無理頭精油棒9ml乙支」活動，已全數贈送完畢。
欲兌換者請於8/1(三)-9/15(六)攜帶兌換券，至【ESCENTS 伊聖詩】指定專櫃兌換，專櫃每日配額有限，建議前往櫃位兌換前先電洽專櫃確認。
兌換地點詳細資訊請參考►http://www.npac-ntt.org/information?uid=32&pid=1523，或電洽04-2415-5790。
【一般購票優惠】
●歌劇院會員 序曲卡8折、歌劇院卡9折、臺中市民卡8折、學生會員75折(限購1場1張)
●信用卡購票 95折：永豐銀行、國泰世華銀行 9 折：台中銀行
●其它5折優惠 ：身障人士及其必要陪同者1人、65歲以上年長者
●團票75折優惠：單一節目購買20張以上，請來電04-2251-1777洽詢
※各種優惠僅能擇一使用。
【中臺灣超級學生方案】
為開啟青年學子與表演藝術的接觸，大劇院每場次主合辦節目均保留20個最佳席次，提供學生以低價購票觀賞，讓藝術欣賞不打折，直接站在巨人的肩膀上眺望全世界。
●資格：凡於苗栗、彰化、臺中、南投、雲林縣市之教育部立案公私立各級學校，具正式學籍之學生（不含E-MBA、在職學生、社區大學、空中大學）。
每場限購1張。入場需出示學生證，未出示證件者請於現場補足全價差額，並加收100元補票手續費。
每場票價與座位區域依各節目公告為準，詳見兩廳院節目售票網頁。
【節目注意事項】
※每場演出約195分鐘，含中場休息15分鐘
※本節目建議 7 歲以上觀眾觀賞
※台語發音，中文字幕
※演出遲到或中途離場的觀眾，請配合主辦單位安排進場
※演出進行中，請勿錄影、錄音或拍照，並請關閉隨身會發出聲響或光源的電子產品
【臺中國家歌劇院主辦節目新增換票服務，退、換票放寬至演出日前一天】
自9/17(一)起，本場館主辦節目新增之退、換票規則如下：
1. 同一節目，不限場次、不限票價皆可互換。
2. 退、換票至遲應於演出日前一天辦理，換票每張酌收新台幣二十元手續費，退票需扣除票面價之10%作為手續費，逾期恕不受理。購票者須持「原票券」至本場館售票處或兩廳院售票系統各服務處辦理。
3. 現金購票者，換購依差額多退少補，另加收手續費。信用卡購票者，需持「原購票之信用卡」辦理，換購以原票價扣除手續費之餘額將退回信用卡帳戶，另以現金或信用卡購買所需票券。
Revenge of the Prince: The Dragon Rises & The End of Revenge
Ming Hwa Yuan Arts & Cultural Group’s chief playwright and director reproduces his original work as Revenge of the Prince to represent the indoor stage performance style of Taiwanese opera at the height of its popularity in indoor venues. It is divided into two parts performed on two consecutive
days. The unmatched male lead SUN Tsui-feng, the rare chou (clown role) talent CHEN Sheng-tsai and the popular xiao dan (young female lead) actress CHENG Ya-sheng lead the cast of Ming Hwa Yuan through many thrilling and unexpected twists and turns. This is a performance that should not be missed!
Part I - The Dragon Rises
The emperor wants to have his royal tomb built, but heavy rains are hampering the progress. After consulting a hermit, he orders 300 maids to leave the palace, as “female” is related to the element of water. One maid is pregnant with the crown prince ZHAO Xiang’s child, who will be named QIU Gonghuan, and the crown prince’s wife HUA Yunong has her listed as among those who are to leave to protect her status in the royal family. The rain continues and this leads to the expulsion of ZHAO Lou, the emperor’s young grandson, as “Lou” means“leak”. These two princes are raised outside the palace walls.
Part II - The End of Revenge
At the palace, everyone is excited to watch as QIU lifts the red bridal veil. He is surprised to find the woman he loves, WEN Qingfeng, marrying his father the Emperor. QIU and his mother, full of resentment for being abandoned, seek revenge on the Emperor and Queen HUA. New hatred is piled on top of old as QIU plots to get rid of the queen and forces ZHAO to join him in his quest for revenge.
Ming Hwa Yuan Arts & Cultural Group
Ming Hwa Yuan Arts & Cultural Group was founded in 1929. It has been a witness to the rise and decline of traditional Taiwanese opera. Although it has stayed true to this art form, which it works to preserve, its productions are modern and incorporate graceful movements and colorful costumes and sets, as well as elements of folk arts, drama, poetry, music, dance, acrobatics, visual arts and theater. Most of its productions have a historical setting and contain clear moral messages, based on the traditions of Taiwanese opera. However, all of its performances are extremely vivid and lively. The vision of Ming Hwa Yuan is not only to present grassroots outdoor Taiwanese operas, but also to grace theater stages. It has successfully transformed traditional Taiwanese opera into a cultural and creative industry that has attracted much interest. Ming Hwa Yuan’s goal is the production of “Eastern musicals”, which it has presented on five continents around the world, astonishing international audiences.
Producer & Artistic Director / CHEN Sheng-fu
Chief Playwright and Director / CHEN Sheng-kuo
Stunt Direction / PENG Chun-kang, TAI Li-wu
Stylized Movement Instructor / WEN Yu-hang
Music Design / CHEN Meng-liang
Stage Management / WANG Yao-chung
Set Design / HUANG chien-ta
Light Design / LIU Chuan-fu
Video Design / Ethan WANG
Costume Design / TSAI Yu-fen
Beijing Baorong Baoyi Media Co., Ltd